By R.S.Gwynn
High Anglicans (or C. Of E.)
Are numerous far over the sea.
They ring a small bell a lot.
Read T.S. Eliot,
And burn incense in no small degree.
The Baptists put stock in immersion
And loudly will cast the aspersion
That a ritual that stops
With a few sprinkled drops
Is merely a watered-down version.
The blue-eyed Episcopal ladies
And gentlemen look like the Brady’s.
Their children are blond
And they are all quite fond
Of the Escalade and the Mercedes.
Fundamentalists think it’s apparent
That the Bible is strictly inerrant.
When one asks, once again,
“Well, so who married Cain?”
The claim Yahweh was, singly, her parent.
A.J.W (Jehovah’s Witness)
Should never be asked in to sit. Nes-
tle in, bolt your door
or you’ll let in a bore
Who will point out your soul’s lack of fitness.
The Mormons once had a hegemony
In Utah, allowing polygamy.
With their bearded heads hung,
The men thanked Brigham Young,
Who responded, “Yes, wasn’t that big of me ?”
The Oneidans detected sin’s essence
In all symptoms of manly tumescence,
So their men they unmanned,
Crying, “Take sin in hand!” –
A religiously planned obsolescence.
The Quakers possess inner lightning
And refrain from all feuding and fighting;
They enter their meetings
With “Bless Thee” for greetings,
But the service is hardly exciting.
The Shakers thought sexual activity
Was a wasteful sinful proclivity :
“No more sleeping in pairs !
Go make tables and chairs !
Sublimate and increase productivity !”
Unitarians pray, but they never
Say to whom, and thus claim the endeavour,
While it’s heavenward sent,
More precisely is meant
To address someone known as “Whoever.”
The number of folks who use X’s
In spelling out Christmas perplexes.
It’s truly inanity
(Just think, Xianity ! ) –
A small matter, I know, but it vexes.
Most zealots are eager to tell us
That their God is bad-tempered and jealous.
They go on for hours
Describing His powers
With a zeal that’s excessively zealous.
Comment : The limericks made me smile, and I’ve always been partial to an attempt to poke fun at organised religion and zealots, hence I had to run this poem on the blog. - Zen
Sunday, September 20, 2009
Friday, September 18, 2009
Lawrence
By Tony Hoagland
On two occasions in the past twelve months
I have failed, when someone at a party
spoke of him with a dismissive scorn,
to stand up for D. H. Lawrence,
a man who burned like an acetylene torch
from one end to the other of his life.
These individuals, whose relationship to literature
is approximately that of a tree shredder
to stands of old-growth forest,
these people leaned back in their chairs,
bellies full of dry white wine and the ovum of some foreign fish,
and casually dropped his name
the way pygmies with their little poison spears
strut around the carcass of a fallen elephant.
“O Elephant,” they say,
“you are not so big and brave today!”
It’s a bad day when people speak of their superiors
with a contempt they haven’t earned,
and it’s a sorry thing when certain other people
don’t defend the great dead ones
who have opened up the world before them.
And though, in the catalogue of my betrayals,
this is a fairly minor entry,
I resolve, if the occasion should recur,
to uncheck my tongue and say, “I love the spectacle
of maggots condescending to a corpse,”
or, “You should be so lucky in your brainy, bloodless life
as to deserve to lift
just one of D. H. Lawrence’s urine samples
to your arid psychobiographic
theory-tainted lips.”
Or maybe I’ll just take the shortcut
between the spirit and the flesh,
and punch someone in the face,
because human beings haven’t come that far
in their effort to subdue the body,
and we still walk around like zombies
in our dying, burning world,
able to do little more
than fight, and fuck, and crow,
something Lawrence wrote about
in such a manner
as to make us seem magnificent.
Comments : I loved the loyal, spirited, sarcastic way Hoagland defends Lawrence in this poem and rips apart his critics – ‘those individuals, whose relationship to literature, is approximately that of a tree shredder to stands of old growth forest’ – now that’s cutting opponents down to size ! – Zen
This poem, incidentally, appeared in the literary journal ‘Ploughshares’ during ’97-’98 (http://www.pshares.org/issues/article.cfm?prmarticleID=4357)
p.s. One of Tony Hoagland’s books of poems is called Donkey Gospel– just the title makes me want to run out and buy it.
About the poet :
Tony Hoagland’s first book, Sweet Ruin, won the Brittingham Prize in Poetry and the Zacharis Award from Ploughshares at Emerson College. Donkey Gospel was the recipient of the 1997 James Laughlin Award of The Academy of American Poets.
He also won the 2005 Mark Twain Award from the Poetry Foundation, for humor in American poetry. His books of poems include What Narcissism Means to Me and Hard Rain, and he’s also the author of Real Sofitikashun, a book of essays on craft (2006).
On two occasions in the past twelve months
I have failed, when someone at a party
spoke of him with a dismissive scorn,
to stand up for D. H. Lawrence,
a man who burned like an acetylene torch
from one end to the other of his life.
These individuals, whose relationship to literature
is approximately that of a tree shredder
to stands of old-growth forest,
these people leaned back in their chairs,
bellies full of dry white wine and the ovum of some foreign fish,
and casually dropped his name
the way pygmies with their little poison spears
strut around the carcass of a fallen elephant.
“O Elephant,” they say,
“you are not so big and brave today!”
It’s a bad day when people speak of their superiors
with a contempt they haven’t earned,
and it’s a sorry thing when certain other people
don’t defend the great dead ones
who have opened up the world before them.
And though, in the catalogue of my betrayals,
this is a fairly minor entry,
I resolve, if the occasion should recur,
to uncheck my tongue and say, “I love the spectacle
of maggots condescending to a corpse,”
or, “You should be so lucky in your brainy, bloodless life
as to deserve to lift
just one of D. H. Lawrence’s urine samples
to your arid psychobiographic
theory-tainted lips.”
Or maybe I’ll just take the shortcut
between the spirit and the flesh,
and punch someone in the face,
because human beings haven’t come that far
in their effort to subdue the body,
and we still walk around like zombies
in our dying, burning world,
able to do little more
than fight, and fuck, and crow,
something Lawrence wrote about
in such a manner
as to make us seem magnificent.
Comments : I loved the loyal, spirited, sarcastic way Hoagland defends Lawrence in this poem and rips apart his critics – ‘those individuals, whose relationship to literature, is approximately that of a tree shredder to stands of old growth forest’ – now that’s cutting opponents down to size ! – Zen
This poem, incidentally, appeared in the literary journal ‘Ploughshares’ during ’97-’98 (http://www.pshares.org/issues/article.cfm?prmarticleID=4357)
p.s. One of Tony Hoagland’s books of poems is called Donkey Gospel– just the title makes me want to run out and buy it.
About the poet :
Tony Hoagland’s first book, Sweet Ruin, won the Brittingham Prize in Poetry and the Zacharis Award from Ploughshares at Emerson College. Donkey Gospel was the recipient of the 1997 James Laughlin Award of The Academy of American Poets.
He also won the 2005 Mark Twain Award from the Poetry Foundation, for humor in American poetry. His books of poems include What Narcissism Means to Me and Hard Rain, and he’s also the author of Real Sofitikashun, a book of essays on craft (2006).
Saturday, September 12, 2009
I Stood Tip-Toe Upon a Little Hill
By John Keats
I stood tip-toe upon a little hill,
The air was cooling, and so very still.
That the sweet buds which with a modest pride
Pull droopingly, in slanting curve aside,
Their scantly leaved, and finely tapering stems,
Had not yet lost those starry diadems
Caught from the early sobbing of the morn.
The clouds were pure and white as flocks new shorn,
And fresh from the clear brook; sweetly they slept
On the blue fields of heaven, and then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves:
For not the faintest motion could be seen
Of all the shades that slanted o'er the green.
There was wide wand'ring for the greediest eye,
To peer about upon variety;
Far round the horizon's crystal air to skim,
And trace the dwindled edgings of its brim;
To picture out the quaint, and curious bending
Of a fresh woodland alley, never ending;
Or by the bowery clefts, and leafy shelves,
Guess were the jaunty streams refresh themselves.
I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels: I was light-hearted,
And many pleasures to my vision started;
So I straightway began to pluck a posey
Of luxuries bright, milky, soft and rosy.
A bush of May flowers with the bees about them;
Ah, sure no tasteful nook would be without them;
And let a lush laburnum oversweep them,
And let long grass grow round the roots to keep them
Moist, cool and green; and shade the violets,
That they may bind the moss in leafy nets.
A filbert hedge with wild briar overtwined,
And clumps of woodbine taking the soft wind
Upon their summer thrones; there too should be
The frequent chequer of a youngling tree,
That with a score of light green brethen shoots
From the quaint mossiness of aged roots:
Round which is heard a spring-head of clear waters
Babbling so wildly of its lovely daughters
The spreading blue bells: it may haply mourn
That such fair clusters should be rudely torn
From their fresh beds, and scattered thoughtlessly
By infant hands, left on the path to die.
Open afresh your round of starry folds,
Ye ardent marigolds!
Dry up the moisture from your golden lids,
For great Apollo bids
That in these days your praises should be sung
On many harps, which he has lately strung;
And when again your dewiness he kisses,
Tell him, I have you in my world of blisses:
So haply when I rove in some far vale,
His mighty voice may come upon the gale.
Here are sweet peas, on tip-toe for a flight:
With wings of gentle flush o'er delicate white,
And taper fulgent catching at all things,
To bind them all about with tiny rings.
Linger awhile upon some bending planks
That lean against a streamlet's rushy banks,
And watch intently Nature's gentle doings:
They will be found softer than ring-dove's cooings.
How silent comes the water round that bend;
Not the minutest whisper does it send
To the o'erhanging sallows: blades of grass
Slowly across the chequer'd shadows pass.
Why, you might read two sonnets, ere they reach
To where the hurrying freshnesses aye preach
A natural sermon o'er their pebbly beds;
Where swarms of minnows show their little heads,
Staying their wavy bodies 'gainst the streams,
To taste the luxury of sunny beams
Temper'd with coolness. How they ever wrestle
With their own sweet delight, and ever nestle
Their silver bellies on the pebbly sand.
If you but scantily hold out the hand,
That very instant not one will remain;
But turn your eye, and they are there again.
The ripples seem right glad to reach those cresses,
And cool themselves among the em'rald tresses;
The while they cool themselves, they freshness give,
And moisture, that the bowery green may live:
So keeping up an interchange of favours,
Like good men in the truth of their behaviours
Sometimes goldfinches one by one will drop
From low hung branches; little space they stop;
But sip, and twitter, and their feathers sleek;
Then off at once, as in a wanton freak:
Or perhaps, to show their black, and golden wings,
Pausing upon their yellow flutterings.
Were I in such a place, I sure should pray
That nought less sweet, might call my thoughts away,
Than the soft rustle of a maiden's gown
Fanning away the dandelion's down;
Than the light music of her nimble toes
Patting against the sorrel as she goes.
How she would start, and blush, thus to be caught
Playing in all her innocence of thought.
O let me lead her gently o'er the brook,
Watch her half-smiling lips, and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me may she often turn
Her fair eyes looking through her locks auburne.
What next? A tuft of evening primroses,
O'er which the mind may hover till it dozes;
O'er which it well might take a pleasant sleep,
But that 'tis ever startled by the leap
Of buds into ripe flowers; or by the flitting
Of diverse moths, that aye their rest are quitting;
Or by the moon lifting her silver rim
Above a cloud, and with a gradual swim
Coming into the blue with all her light.
O Maker of sweet poets, dear delight
Of this fair world, and all its gentle livers;
Spangler of clouds, halo of crystal rivers,
Mingler with leaves, and dew and tumbling streams,
Closer of lovely eyes to lovely dreams,
Lover of loneliness, and wandering,
Of upcast eye, and tender pondering!
Thee must I praise above all other glories
That smile us on to tell delightful stories.
For what has made the sage or poet write
But the fair paradise of Nature's light?
In the calm grandeur of a sober line,
We see the waving of the mountain pine;
And when a tale is beautifully staid,
We feel the safety of a hawthorn glade:
When it is moving on luxurious wings,
The soul is lost in pleasant smotherings:
Fair dewy roses brush against our faces,
And flowering laurels spring from diamond vases;
O'er head we see the jasmine and sweet briar,
And bloomy grapes laughing from green attire;
While at our feet, the voice of crystal bubbles
Charms us at once away from all our troubles:
So that we feel uplifted from the world,
Walking upon the white clouds wreath'd and curl'd.
So felt he, who first told, how Psyche went
On the smooth wind to realms of wonderment;
What Psyche felt, and Love, when their full lips
First touch'd; what amorous, and fondling nips
They gave each other's cheeks; with all their sighs,
And how they kist each other's tremulous eyes:
The silver lamp,--the ravishment,--the wonder--
The darkness,--loneliness,--the fearful thunder;
Their woes gone by, and both to heaven upflown,
To bow for gratitude before Jove's throne.
So did he feel, who pull'd the boughs aside,
That we might look into a forest wide,
To catch a glimpse of Fawns, and Dryades
Coming with softest rustle through the trees;
And garlands woven of flowers wild, and sweet,
Upheld on ivory wrists, or sporting feet:
Telling us how fair, trembling Syrinx fled
Arcadian Pan, with such a fearful dread.
Poor nymph,--poor Pan,--how he did weep to find,
Nought but a lovely sighing of the wind
Along the reedy stream; a half heard strain,
Full of sweet desolation--balmy pain.
What first inspired a bard of old to sing
Narcissus pining o'er the untainted spring?
In some delicious ramble, he had found
A little space, with boughs all woven round;
And in the midst of all, a clearer pool
Than e'er reflected in its pleasant cool,
The blue sky here, and there, serenely peeping
Through tendril wreaths fantastically creeping.
And on the bank a lonely flower he spied,
A meek and forlorn flower, with naught of pride,
Drooping its beauty o'er the watery clearness,
To woo its own sad image into nearness:
Deaf to light Zephyrus it would not move;
But still would seem to droop, to pine, to love.
So while the Poet stood in this sweet spot,
Some fainter gleamings o'er his fancy shot;
Nor was it long ere he had told the tale
Of young Narcissus, and sad Echo's bale.
Where had he been, from whose warm head out-flew
That sweetest of all songs, that ever new,
That aye refreshing, pure deliciousness,
Coming ever to bless
The wanderer by moonlight? to him bringing
Shapes from the invisible world, unearthly singing
From out the middle air, from flowery nests,
And from the pillowy silkiness that rests
Full in the speculation of the stars.
Ah! surely he had burst our mortal bars;
Into some wond'rous region he had gone,
To search for thee, divine Endymion!
He was a Poet, sure a lover too,
Who stood on Latmus' top, what time there blew
Soft breezes from the myrtle vale below;
And brought in faintness solemn, sweet, and slow
A hymn from Dian's temple; while upswelling,
The incense went to her own starry dwelling.
But though her face was clear as infant's eyes,
Though she stood smiling o'er the sacrifice,
The Poet wept at her so piteous fate,
Wept that such beauty should be desolate:
So in fine wrath some golden sounds he won,
And gave meek Cynthia her Endymion.
Queen of the wide air; thou most lovely queen
Of all the brightness that mine eyes have seen!
As thou exceedest all things in thy shine,
So every tale, does this sweet tale of thine.
O for three words of honey, that I might
Tell but one wonder of thy bridal night!
Where distant ships do seem to show their keels,
Phoebus awhile delayed his mighty wheels,
And turned to smile upon thy bashful eyes,
Ere he his unseen pomp would solemnize.
The evening weather was so bright, and clear,
That men of health were of unusual cheer;
Stepping like Homer at the trumpet's call,
Or young Apollo on the pedestal:
And lovely women were as fair and warm,
As Venus looking sideways in alarm.
The breezes were ethereal, and pure,
And crept through half closed lattices to cure
The languid sick; it cool'd their fever'd sleep,
And soothed them into slumbers full and deep.
Soon they awoke clear eyed: nor burnt with thirsting,
Nor with hot fingers, nor with temples bursting:
And springing up, they met the wond'ring sight
Of their dear friends, nigh foolish with delight;
Who feel their arms, and breasts, and kiss and stare,
And on their placid foreheads part the hair.
Young men, and maidens at each other gaz'd
With hands held back, and motionless, amaz'd
To see the brightness in each others' eyes;
And so they stood, fill'd with a sweet surprise,
Until their tongues were loos'd in poesy.
Therefore no lover did of anguish die:
But the soft numbers, in that moment spoken,
Made silken ties, that never may be broken.
Cynthia! I cannot tell the greater blisses,
That follow'd thine, and thy dear shepherd's kisses:
Was there a Poet born?--but now no more,
My wand'ring spirit must no further soar.
Comments : I came across this fragment by chance while browsing through a book-shop, 'Here are sweet peas, on tiptoe for a flight : With wings of gentle flush o'er delicate white.' Tracked down the poem and decided to post it.
I really liked some of the imagery, for instance, the way Keats describes the effect the scene had on him,
'I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels:'
Makes me want to take off for the hills right now ! :-) Zen.
I stood tip-toe upon a little hill,
The air was cooling, and so very still.
That the sweet buds which with a modest pride
Pull droopingly, in slanting curve aside,
Their scantly leaved, and finely tapering stems,
Had not yet lost those starry diadems
Caught from the early sobbing of the morn.
The clouds were pure and white as flocks new shorn,
And fresh from the clear brook; sweetly they slept
On the blue fields of heaven, and then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves:
For not the faintest motion could be seen
Of all the shades that slanted o'er the green.
There was wide wand'ring for the greediest eye,
To peer about upon variety;
Far round the horizon's crystal air to skim,
And trace the dwindled edgings of its brim;
To picture out the quaint, and curious bending
Of a fresh woodland alley, never ending;
Or by the bowery clefts, and leafy shelves,
Guess were the jaunty streams refresh themselves.
I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels: I was light-hearted,
And many pleasures to my vision started;
So I straightway began to pluck a posey
Of luxuries bright, milky, soft and rosy.
A bush of May flowers with the bees about them;
Ah, sure no tasteful nook would be without them;
And let a lush laburnum oversweep them,
And let long grass grow round the roots to keep them
Moist, cool and green; and shade the violets,
That they may bind the moss in leafy nets.
A filbert hedge with wild briar overtwined,
And clumps of woodbine taking the soft wind
Upon their summer thrones; there too should be
The frequent chequer of a youngling tree,
That with a score of light green brethen shoots
From the quaint mossiness of aged roots:
Round which is heard a spring-head of clear waters
Babbling so wildly of its lovely daughters
The spreading blue bells: it may haply mourn
That such fair clusters should be rudely torn
From their fresh beds, and scattered thoughtlessly
By infant hands, left on the path to die.
Open afresh your round of starry folds,
Ye ardent marigolds!
Dry up the moisture from your golden lids,
For great Apollo bids
That in these days your praises should be sung
On many harps, which he has lately strung;
And when again your dewiness he kisses,
Tell him, I have you in my world of blisses:
So haply when I rove in some far vale,
His mighty voice may come upon the gale.
Here are sweet peas, on tip-toe for a flight:
With wings of gentle flush o'er delicate white,
And taper fulgent catching at all things,
To bind them all about with tiny rings.
Linger awhile upon some bending planks
That lean against a streamlet's rushy banks,
And watch intently Nature's gentle doings:
They will be found softer than ring-dove's cooings.
How silent comes the water round that bend;
Not the minutest whisper does it send
To the o'erhanging sallows: blades of grass
Slowly across the chequer'd shadows pass.
Why, you might read two sonnets, ere they reach
To where the hurrying freshnesses aye preach
A natural sermon o'er their pebbly beds;
Where swarms of minnows show their little heads,
Staying their wavy bodies 'gainst the streams,
To taste the luxury of sunny beams
Temper'd with coolness. How they ever wrestle
With their own sweet delight, and ever nestle
Their silver bellies on the pebbly sand.
If you but scantily hold out the hand,
That very instant not one will remain;
But turn your eye, and they are there again.
The ripples seem right glad to reach those cresses,
And cool themselves among the em'rald tresses;
The while they cool themselves, they freshness give,
And moisture, that the bowery green may live:
So keeping up an interchange of favours,
Like good men in the truth of their behaviours
Sometimes goldfinches one by one will drop
From low hung branches; little space they stop;
But sip, and twitter, and their feathers sleek;
Then off at once, as in a wanton freak:
Or perhaps, to show their black, and golden wings,
Pausing upon their yellow flutterings.
Were I in such a place, I sure should pray
That nought less sweet, might call my thoughts away,
Than the soft rustle of a maiden's gown
Fanning away the dandelion's down;
Than the light music of her nimble toes
Patting against the sorrel as she goes.
How she would start, and blush, thus to be caught
Playing in all her innocence of thought.
O let me lead her gently o'er the brook,
Watch her half-smiling lips, and downward look;
O let me for one moment touch her wrist;
Let me one moment to her breathing list;
And as she leaves me may she often turn
Her fair eyes looking through her locks auburne.
What next? A tuft of evening primroses,
O'er which the mind may hover till it dozes;
O'er which it well might take a pleasant sleep,
But that 'tis ever startled by the leap
Of buds into ripe flowers; or by the flitting
Of diverse moths, that aye their rest are quitting;
Or by the moon lifting her silver rim
Above a cloud, and with a gradual swim
Coming into the blue with all her light.
O Maker of sweet poets, dear delight
Of this fair world, and all its gentle livers;
Spangler of clouds, halo of crystal rivers,
Mingler with leaves, and dew and tumbling streams,
Closer of lovely eyes to lovely dreams,
Lover of loneliness, and wandering,
Of upcast eye, and tender pondering!
Thee must I praise above all other glories
That smile us on to tell delightful stories.
For what has made the sage or poet write
But the fair paradise of Nature's light?
In the calm grandeur of a sober line,
We see the waving of the mountain pine;
And when a tale is beautifully staid,
We feel the safety of a hawthorn glade:
When it is moving on luxurious wings,
The soul is lost in pleasant smotherings:
Fair dewy roses brush against our faces,
And flowering laurels spring from diamond vases;
O'er head we see the jasmine and sweet briar,
And bloomy grapes laughing from green attire;
While at our feet, the voice of crystal bubbles
Charms us at once away from all our troubles:
So that we feel uplifted from the world,
Walking upon the white clouds wreath'd and curl'd.
So felt he, who first told, how Psyche went
On the smooth wind to realms of wonderment;
What Psyche felt, and Love, when their full lips
First touch'd; what amorous, and fondling nips
They gave each other's cheeks; with all their sighs,
And how they kist each other's tremulous eyes:
The silver lamp,--the ravishment,--the wonder--
The darkness,--loneliness,--the fearful thunder;
Their woes gone by, and both to heaven upflown,
To bow for gratitude before Jove's throne.
So did he feel, who pull'd the boughs aside,
That we might look into a forest wide,
To catch a glimpse of Fawns, and Dryades
Coming with softest rustle through the trees;
And garlands woven of flowers wild, and sweet,
Upheld on ivory wrists, or sporting feet:
Telling us how fair, trembling Syrinx fled
Arcadian Pan, with such a fearful dread.
Poor nymph,--poor Pan,--how he did weep to find,
Nought but a lovely sighing of the wind
Along the reedy stream; a half heard strain,
Full of sweet desolation--balmy pain.
What first inspired a bard of old to sing
Narcissus pining o'er the untainted spring?
In some delicious ramble, he had found
A little space, with boughs all woven round;
And in the midst of all, a clearer pool
Than e'er reflected in its pleasant cool,
The blue sky here, and there, serenely peeping
Through tendril wreaths fantastically creeping.
And on the bank a lonely flower he spied,
A meek and forlorn flower, with naught of pride,
Drooping its beauty o'er the watery clearness,
To woo its own sad image into nearness:
Deaf to light Zephyrus it would not move;
But still would seem to droop, to pine, to love.
So while the Poet stood in this sweet spot,
Some fainter gleamings o'er his fancy shot;
Nor was it long ere he had told the tale
Of young Narcissus, and sad Echo's bale.
Where had he been, from whose warm head out-flew
That sweetest of all songs, that ever new,
That aye refreshing, pure deliciousness,
Coming ever to bless
The wanderer by moonlight? to him bringing
Shapes from the invisible world, unearthly singing
From out the middle air, from flowery nests,
And from the pillowy silkiness that rests
Full in the speculation of the stars.
Ah! surely he had burst our mortal bars;
Into some wond'rous region he had gone,
To search for thee, divine Endymion!
He was a Poet, sure a lover too,
Who stood on Latmus' top, what time there blew
Soft breezes from the myrtle vale below;
And brought in faintness solemn, sweet, and slow
A hymn from Dian's temple; while upswelling,
The incense went to her own starry dwelling.
But though her face was clear as infant's eyes,
Though she stood smiling o'er the sacrifice,
The Poet wept at her so piteous fate,
Wept that such beauty should be desolate:
So in fine wrath some golden sounds he won,
And gave meek Cynthia her Endymion.
Queen of the wide air; thou most lovely queen
Of all the brightness that mine eyes have seen!
As thou exceedest all things in thy shine,
So every tale, does this sweet tale of thine.
O for three words of honey, that I might
Tell but one wonder of thy bridal night!
Where distant ships do seem to show their keels,
Phoebus awhile delayed his mighty wheels,
And turned to smile upon thy bashful eyes,
Ere he his unseen pomp would solemnize.
The evening weather was so bright, and clear,
That men of health were of unusual cheer;
Stepping like Homer at the trumpet's call,
Or young Apollo on the pedestal:
And lovely women were as fair and warm,
As Venus looking sideways in alarm.
The breezes were ethereal, and pure,
And crept through half closed lattices to cure
The languid sick; it cool'd their fever'd sleep,
And soothed them into slumbers full and deep.
Soon they awoke clear eyed: nor burnt with thirsting,
Nor with hot fingers, nor with temples bursting:
And springing up, they met the wond'ring sight
Of their dear friends, nigh foolish with delight;
Who feel their arms, and breasts, and kiss and stare,
And on their placid foreheads part the hair.
Young men, and maidens at each other gaz'd
With hands held back, and motionless, amaz'd
To see the brightness in each others' eyes;
And so they stood, fill'd with a sweet surprise,
Until their tongues were loos'd in poesy.
Therefore no lover did of anguish die:
But the soft numbers, in that moment spoken,
Made silken ties, that never may be broken.
Cynthia! I cannot tell the greater blisses,
That follow'd thine, and thy dear shepherd's kisses:
Was there a Poet born?--but now no more,
My wand'ring spirit must no further soar.
Comments : I came across this fragment by chance while browsing through a book-shop, 'Here are sweet peas, on tiptoe for a flight : With wings of gentle flush o'er delicate white.' Tracked down the poem and decided to post it.
I really liked some of the imagery, for instance, the way Keats describes the effect the scene had on him,
'I gazed awhile, and felt as light, and free
As though the fanning wings of Mercury
Had played upon my heels:'
Makes me want to take off for the hills right now ! :-) Zen.
Friday, September 11, 2009
Hospital
By Jonathan Richman, of the band ‘Modern Lovers’
When you get out of the hospital
Let me back into your life
I can't stand what you do
I'm in love with your eyes
And when you get out of the dating bar
I'll be here to get back into your life
I can't stand what you do
I'm in love with your eyes
I can't stand what you do
Sometimes I can't stand you
It makes me think about me
That I'm involved with you
...But I'm in love with this power that shows through in your eyes
I go to bakeries all day long
There's a lack of sweetness in my life
And there's pain inside
You can see it in my eyes
There is pain inside
You can see it in my eyes
It makes me think about me
That I've lost my pride
...But I'm in love with this power that resides in your eyes
You live in modern apartments
Well I've even got scared once or twice
Last time I walked down your street
There were tears in my eyes
Well now these streets we all know
They help us cry when we're alone late at night
Don't you love them too?
Is that where you got your eyes?
Oh I can't stand what you do
Sometimes I can't stand you
It makes me think about me
How I'm involved with you
...But I'm in love with this power that shows through in your eyes
Your world---it is beautiful
I'll take the subway to your suburb sometimes
I'll seek out the things that must've been magic to you little girl mind
Now as a little girl you must've been magic
I still get jealous of your old boyfriends in the suburbs sometimes
And when I walk down your street
There'll probably be tears in my eyes
(I knew it would happen)
I can't stand what you do
Sometimes I can't stand you
It makes me think about me
That I'm involved with you
...But I'm in love with this power that shows through in your eyes
So when you get out of the hospital
Let me back into your life
I can't stand what you do
But I'm in love with your eyes
Comments :
A friend’s recent status update on facebook gave the link to the youtube video of this song and mentioned the first few lines – ‘when you get out of the Hospital, let me back into your life’. I just had to listen to a song this weird – was the narrator in love with an insane person ? was he / she implying that the lover was a nutcase – was it a love song or a sarcastic song ? Or is the narrator insane ? Is this a song about domestic abuse - written by a physically violent guy to his injured lover ?
Read the lyrics, watch the video and make up your own mind. – Zen
(http://www.youtube.com/watch?v=Im3g2qHLTXs&feature=related)
When you get out of the hospital
Let me back into your life
I can't stand what you do
I'm in love with your eyes
And when you get out of the dating bar
I'll be here to get back into your life
I can't stand what you do
I'm in love with your eyes
I can't stand what you do
Sometimes I can't stand you
It makes me think about me
That I'm involved with you
...But I'm in love with this power that shows through in your eyes
I go to bakeries all day long
There's a lack of sweetness in my life
And there's pain inside
You can see it in my eyes
There is pain inside
You can see it in my eyes
It makes me think about me
That I've lost my pride
...But I'm in love with this power that resides in your eyes
You live in modern apartments
Well I've even got scared once or twice
Last time I walked down your street
There were tears in my eyes
Well now these streets we all know
They help us cry when we're alone late at night
Don't you love them too?
Is that where you got your eyes?
Oh I can't stand what you do
Sometimes I can't stand you
It makes me think about me
How I'm involved with you
...But I'm in love with this power that shows through in your eyes
Your world---it is beautiful
I'll take the subway to your suburb sometimes
I'll seek out the things that must've been magic to you little girl mind
Now as a little girl you must've been magic
I still get jealous of your old boyfriends in the suburbs sometimes
And when I walk down your street
There'll probably be tears in my eyes
(I knew it would happen)
I can't stand what you do
Sometimes I can't stand you
It makes me think about me
That I'm involved with you
...But I'm in love with this power that shows through in your eyes
So when you get out of the hospital
Let me back into your life
I can't stand what you do
But I'm in love with your eyes
Comments :
A friend’s recent status update on facebook gave the link to the youtube video of this song and mentioned the first few lines – ‘when you get out of the Hospital, let me back into your life’. I just had to listen to a song this weird – was the narrator in love with an insane person ? was he / she implying that the lover was a nutcase – was it a love song or a sarcastic song ? Or is the narrator insane ? Is this a song about domestic abuse - written by a physically violent guy to his injured lover ?
Read the lyrics, watch the video and make up your own mind. – Zen
(http://www.youtube.com/watch?v=Im3g2qHLTXs&feature=related)
Thursday, September 10, 2009
Verities
By Kim Addonizio
Into every life a little ax must fall.
Every dog has its choke chain.
Every cloud has a shadow.
Better dead than fed.
He who laughs, will not last.
Sticks and stones will break you,
and then the names of things will be changed.
A stitch in time saves no one.
The darkest hour comes.
Comments : Continuing on the same theme as the poem that was run yesterday. Don't cliches make you just want to scream sometimes with the rainbows-follow- rain- all-good-people view of the world ! No wonder I liked this poem and the twist on cliches. - Zen
Into every life a little ax must fall.
Every dog has its choke chain.
Every cloud has a shadow.
Better dead than fed.
He who laughs, will not last.
Sticks and stones will break you,
and then the names of things will be changed.
A stitch in time saves no one.
The darkest hour comes.
Comments : Continuing on the same theme as the poem that was run yesterday. Don't cliches make you just want to scream sometimes with the rainbows-follow- rain- all-good-people view of the world ! No wonder I liked this poem and the twist on cliches. - Zen
Wednesday, September 9, 2009
The Sharper the Berry
Mark Pawlak
Nose out of joint, City Slicker ?
Blown a gasket, Hot Shot ?
Fit to be tied, Arty Farty ?
Going through the roof, curtain raiser ?
Sometimes you get the bear, sometimes the bear gets you.
Can't put the toothpaste back in the tube, Clever Dick ?
Chewing nails and spitting tacks, Front Runner ?
Got your knickers in a knot, panties in a wad, Sexy Thing ?
Every rose has it's thorn.
Popped a vein, Man-of-the-World ?
Rubbed the wrong way, Lean-and-Mean ?
Worse things happen at sea.
Worked into a lather, Bold-as-Brass ?
Blood at a boil, Dressed-to-the-Nines ?
It's not the end of the world.
Tomorrow is another day, All-Wind-and-Piss.
It's always darkest before the dawn, Bottom-of-the-Heap.
There is a light at the end of the tunnel,Thick-as-a-Brick.
Behind the clouds, the sun is shining, Back-to-the-Wall.
After the rain comes a rainbow, All-Work-and-No-Play.
Midnight is where the day begins, Beats-His-Meat.
Chin up ! With visions of redemption,
walk against the crowd, Down-at-the-Heels.
If you can't enjoy your own company, how can anyone else,
Drama Queen ?
Everyone might hate you, but at least you're still alive,
Button-Pusher.
Comments : Just started dipping into an absolutely delicious anthology of American Poetry - expect a lot more poems to be posted this month. This one was mean, nasty, random, funny, cynical and I loved it.
Note : Brilliant tongue-in-cheek comment by poet follows :
When I happened upon a list of well-worn cliches, I found it to be suggestive of a greeting card, which prompted me to splice and arrange the phrases to make this poem. I hope to interest Hallmark in my handiwork and perhaps, in this way, to supplement my meager income as a poet.
Nose out of joint, City Slicker ?
Blown a gasket, Hot Shot ?
Fit to be tied, Arty Farty ?
Going through the roof, curtain raiser ?
Sometimes you get the bear, sometimes the bear gets you.
Can't put the toothpaste back in the tube, Clever Dick ?
Chewing nails and spitting tacks, Front Runner ?
Got your knickers in a knot, panties in a wad, Sexy Thing ?
Every rose has it's thorn.
Popped a vein, Man-of-the-World ?
Rubbed the wrong way, Lean-and-Mean ?
Worse things happen at sea.
Worked into a lather, Bold-as-Brass ?
Blood at a boil, Dressed-to-the-Nines ?
It's not the end of the world.
Tomorrow is another day, All-Wind-and-Piss.
It's always darkest before the dawn, Bottom-of-the-Heap.
There is a light at the end of the tunnel,Thick-as-a-Brick.
Behind the clouds, the sun is shining, Back-to-the-Wall.
After the rain comes a rainbow, All-Work-and-No-Play.
Midnight is where the day begins, Beats-His-Meat.
Chin up ! With visions of redemption,
walk against the crowd, Down-at-the-Heels.
If you can't enjoy your own company, how can anyone else,
Drama Queen ?
Everyone might hate you, but at least you're still alive,
Button-Pusher.
Comments : Just started dipping into an absolutely delicious anthology of American Poetry - expect a lot more poems to be posted this month. This one was mean, nasty, random, funny, cynical and I loved it.
Note : Brilliant tongue-in-cheek comment by poet follows :
When I happened upon a list of well-worn cliches, I found it to be suggestive of a greeting card, which prompted me to splice and arrange the phrases to make this poem. I hope to interest Hallmark in my handiwork and perhaps, in this way, to supplement my meager income as a poet.
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